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The movie's also as trivial as it is engaging; hack off 30 minutes and it might have had the delirious precision of early Marx Brothers classics. Instead, Allen's goofy conceit--enemies falling in love by hypnotic suggestion--is stretched to absurdity when efficiency expert Betty Ann "Fitz" Fitzgerald (Helen Hunt) is hypnotically attracted to seasoned insurance investigator C.W. Briggs (Allen), despite their office enmity. Plus, a jewel-heist caper masterminded by the nightclub hypnotist (David Ogden Stiers) casts them both as suspects! Woody harvests a bumper crop of old-fashioned laughs from this predicament, and despite their conspicuous age difference and occasional awkward delivery, Hunt and Allen exchange volleys of dialogue like a seasoned comedy team. Dan Aykroyd is also good in a stodgy supporting role, but Jade Scorpion r! emains a mixed blessing--a welcomed throwback to comedy's yest! eryear, from a master funnyman who's struggling to maintain relevance in the present. --Jeff Shannon An insurance investigator & an efficiency expert who hate each other are both hypnotized by a crooked hypnotist with a jade scorpion into stealing jewels. Studio: Paramount Home Video Release Date: 04/12/2005 Starring: Woody Allen Dan Aykroyd Run time: 102 minutes Rating: Pg13With The Curse of the Jade Scorpion, Woody Allen pays another visit to his idealized past, and his retro blend of humor and nostalgia will surely satisfy the filmmaker's most loyal fans. Like The Purple Rose of Cairo, Radio Days, and Sweet and Lowdown, The Curse of the Jade Scorpion is physically impeccable: its period-perfect costumes and sets capture 1940 New York with splendid authenticity and are further enhanced by the burnished glow of Zhao Fei's cinematography. And like those earlier films, Jade Scorpion mines comedic gold from its timeframe, molding i! t into a plot laced with expert zingers that could only spring from a keen awareness of comedic tradition. Add an appealing roster of costars (including Elizabeth Berkley and Charlize Theron) and you've got vintage Woody that perks right along.
The movie's also as trivial as it is engaging; hack off 30 minutes and it might have had the delirious precision of early Marx Brothers classics. Instead, Allen's goofy conceit--enemies falling in love by hypnotic suggestion--is stretched to absurdity when efficiency expert Betty Ann "Fitz" Fitzgerald (Helen Hunt) is hypnotically attracted to seasoned insurance investigator C.W. Briggs (Allen), despite their office enmity. Plus, a jewel-heist caper masterminded by the nightclub hypnotist (David Ogden Stiers) casts them both as suspects! Woody harvests a bumper crop of old-fashioned laughs from this predicament, and despite their conspicuous age difference and occasional awkward delivery, Hunt and Allen exchange volleys of dialog! ue like a seasoned comedy team. Dan Aykroyd is also good in a ! stodgy s upporting role, but Jade Scorpion remains a mixed blessing--a welcomed throwback to comedy's yesteryear, from a master funnyman who's struggling to maintain relevance in the present. --Jeff Shannon
Harry (Daniel Radcliffe) suspects Draco Malfoy (Tom Felton) to be a new Death Eater recruit on a special mission for the Dark Lord. In the meantime, Professor Dumbledore (Michael Gambon) seems to have finally removed the shroud of secrecy fr! om Harry about the dark path that lies ahead, and instead prov! ides pri vate lessons to get him prepared. It's in these intriguing scenes that the dark past of Tom Riddle (a.k.a. Voldemort) is finally revealed. The actors cast as the different young versions of Riddle (Hero Fiennes-Tiffin and Frank Dillane) do an eerily fantastic job of portraying the villain as a child. While the previous movies' many new characters could be slightly overwhelming, only one new key character is introduced this time: Professor Horace Slughorn (with a spot-on performance by Jim Broadbent). Within his mind he holds a key secret in the battle to defeat the Dark Lord, and Harry is tasked by Dumbledore to uncover a memory about Voldemort's darkest weapon--the Horcrux. Despite the long list of distractions, Harry, Ron (Rupert Grint), and Hermione (Emma Watson) still try to focus on being teenagers, and audiences will enjoy the budding awkward romances. All of the actors have developed nicely, giving their most convincing performances to date.
More dramatic and si! gnificant things go down in this movie than any of its predecessors, and the stakes are higher than ever. The creators have been tasked with a practically impossible challenge, as fans of the beloved J.K. Rowling book series desperately want the movies to capture the magic of the books as closely as possible. Alas, the point at which one accepts that these two mediums are very different is the point at which one can truly enjoy these brilliant adaptations. Harry Potter and the Half-Blood Prince is no exception: it may be the best film yet. For those who have not read the book, nail-biting entertainment is guaranteed. For those who have, the movie does it justice. The key dramatic scenes, including the cave and the shocking twist in the final chapter, are executed very well. It does a perfect job of setting up the two-part grand finale that is to follow. --Jordan Thompson
With all the light-hearted action and character interplay, it's hard to tell if director Les Mayfield (Flubber) is taking the material seriously, but this much is certain: the Jesse James here (played with effortless appeal by Tigerland newcomer Colin Farrell) and his brother Frank (Gabriel Macht) have almost no connection to historical fact. Nor do their fellow farm-raised gang members, the Younger brothers Cole (Scott Caan), Bob (Will McCormack), and Jim (Gregory Smith). (And Jesse's fiancée, played by Ali Larter, looks like she dropped in from a Gap commercial.) The gang's post-Civil ! War battle against a ruthless railroad baron (Harris Yulin) an! d his Pi nkerton henchman (Timothy Dalton) seems arbitrary, irrational (since farmers typically welcomed railroads, not fought them), and riddled with clichés, turning the movie's bloodless shootouts into another opportunity for pretty-boy preening. --Jeff Shannon 4 FILM FAVORITES:WESTERN COLLECTION - DVD Movie
