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Nastassja Kinski is radiant (The New York Times) in this war-torn love story that breaks the eroticism barrier [with] an astonishing directness (L.A. Weekly). Co-starring John Savage, John Goodman, Robert Mitchum and Oscar(r) winner* Keith Carradine, Maria's Loversis a unique, compelling [and] intimate drama (L.A. Weekly). When her teenage sweetheart Ivan (Savage) returns home from WWII, Maria (Kinski) eagerly accepts his marriage proposal, looking forward to a lifetime of happiness. But her joy is short-lived when Ivan's dark past shrouds their wedding night in misery, driving a wedge between them that neither knows how to remove. Confused and depressed, Maria attempts to mend her true love's heart despite the advances of other suitors. But when a traveling musician (Carradine) hits the right no! te, Maria struggles to justify her unfulfillinglife. Is her passion too powerful to be contained within the sanctity of marriage? *1975: Original Song ( I m Easy ), NashvilleSplicing scenes featuring his protagonist, Ivan (John Savage,
The Deer Hunter), among excerpted interviews with real soldiers from John Huston's landmark World War II documentary
Let There Be Light, director Andrei Konchalovsky brilliantly sets the stage for a morally ambiguous tale of a war hero's return home to a small town. Disappointingly, the opening of
Maria's Lovers promises much more than it ultimately delivers. Ivan has survived the tortures of a Japanese POW camp by continually dreaming of his childhood sweetheart Maria (Nastassja Kinski). When he returns to find her with a boyfriend and a grown-up libido, Ivan can't reconcile his guardian vision with the real Maria. Even as she declares her love for him and they hastily marry, Ivan's nightmares intervene. In short, Ivan! can't perform. Minor roles for Robert Mitchum and Keith Carra! dine (as a ridiculous wandering minstrel who seduces Maria after Ivan flees in shame) seem wasted on a melodramatic script that often sounds as if it was poorly translated into English. The nostalgic scenery of Brownsville, Pennsylvania, (rolling fog, river ferries, careening factories) is compelling, as is Kinski (who is at her most seductive and downright breathtaking), but Konchalovsky's affection for his characters and their landscape cannot surpass his stilted vision of America.
--Fionn MeadeTORRENTS OF SPRING is an epic tale of love, passion, and betrayal -- the story of one man and two women ... In 1840, a young Russian aristocrat, Dimitri Sanin (Academy Award® Winner Timothy Hutton (Best Supporting Actor, ORDINARY PEOPLE, 1980; SUNSHINE STATE), is returning home after a long tour of Europe. During a stopover in Germany, he encounters the beautiful, young Gemma (Valeria Golino -- FRIDA) and falls in love with her. Maria Polozov (Nastassja Kinski -- DIARY OF A SEX ADDI! CT) is envious of the couple's pure love and seduces Dimitri. Dimitri is caught in a whirlwind of emotion as he is unable to choose between his innocent love for Gemma and his sudden passion for Maria.Splicing scenes featuring his protagonist, Ivan (John Savage,
The Deer Hunter), among excerpted interviews with real soldiers from John Huston's landmark World War II documentary
Let There Be Light, director Andrei Konchalovsky brilliantly sets the stage for a morally ambiguous tale of a war hero's return home to a small town. Disappointingly, the opening of
Maria's Lovers promises much more than it ultimately delivers. Ivan has survived the tortures of a Japanese POW camp by continually dreaming of his childhood sweetheart Maria (Nastassja Kinski). When he returns to find her with a boyfriend and a grown-up libido, Ivan can't reconcile his guardian vision with the real Maria. Even as she declares her love for him and they hastily marry, Ivan's nightmares ! intervene. In short, Ivan can't perform. Minor roles for Rober! t Mitchu m and Keith Carradine (as a ridiculous wandering minstrel who seduces Maria after Ivan flees in shame) seem wasted on a melodramatic script that often sounds as if it was poorly translated into English. The nostalgic scenery of Brownsville, Pennsylvania, (rolling fog, river ferries, careening factories) is compelling, as is Kinski (who is at her most seductive and downright breathtaking), but Konchalovsky's affection for his characters and their landscape cannot surpass his stilted vision of America.
--Fionn MeadeA beautiful young woman on the bridge of sexuality learns that because of an inherited feline characteristic, a relationship with a man is impossible.
Genre: Horror
Rating: R
Release Date: 24-AUG-2004
Media Type: DVDPaul Schrader, the director of
American Gigolo, brought a similar kind of sexual chic to this explicit horror movie. A remake of the beautiful, haunting 1942
Cat People, this version takes off ! from the same idea: that a woman (Nastassja Kinski), a member of a race of feline humans, will revert to her animalistic self when she has sex. Arriving to meet her brother (Malcolm McDowell) in New Orleans, she finds herself disturbed by his sexual presence. A zoo curator (John Heard) becomes fascinated by her, but he will discover that her kittenish ways are just the tip of the claw. Schrader dresses the story up in a stylish, glossy production, keyed on Kinski's green-eyed, thick-lipped beauty; it's hard to think of another actress in 1982 who could so immediately suggest a cat walking on two legs. Luckily Kinski had a European attitude toward her body, because this film has plenty of poster-art nudity. There's also lots of gore and some wacky flashbacks to the ancient tribe of cat people, who hold rituals in an orange desert while Giorgio Moroder's music plays.
Cat People doesn't really make all this come together, but it's always interesting to look at, and the ! dreadful mood lingers.
--Robert Horton The daughter of ! a simple farmer is sent to determine if her family is related to a rich land owning family.
Genre: Feature Film-Drama
Rating: UN
Release Date: 7-NOV-2006
Media Type: DVDRoman Polanski adapted Thomas Hardy's novel
Tess of the D'Urbervilles and came up with this moody, haunting film starring Nastassia Kinski as the farm girl who is misused by the aristocrat for whom she works and who is then caught in a marriage where her initial happiness soon turns to grief. Fans of the novel may feel unpersuaded by Polanski's effort to marry Hardy's Dorset vision with his own fascination with psychosexual impulses toward survival, but the film is an often stunning thing to see, and Kinski's sensitive, intelligent performance lingers in the memory.
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