Freestyle Men's FS75401 Hammerhead Polyurethane Watch

• Quartz movement
• Mineral crystal
• Case diameter: 42 mm
• Stainless-steel case; black dial; date function
• Water-resistant to 660 feet (200 M)

FREE STYLE - DVD MovieFree Style asks the nonmusical question: Who needs Zac Efron and Vanessa Hudgens, anyway? This is a starring vehicle for the other High School Musical dude, Corbin Bleu, who brings his likable-guy personality to a tale of small-town life and motocross racing. Bleu plays Cale Bryant, a fatherless teen in a drizzly Northwestern burg, a town so rich in motocross talent that three of the top contenders for an open spot on the national racing team just happen to be living there. Really? OK, it seems a bit unlikely, but that's the kind of movie this is: all the formulaic parts are in place, including the struggling single mom (Penelope Ann Miller), the wayward girlfriend, and the foxy waitress! (Sandra Echeverria) who works at the town's Mexican restaurant. Can a reunion between Cale and his estranged father be far behind? Director William Dear (Harry and the Hendersons) is an experienced hand at this kind of familiar-but-sincere drama, and he smoothly guides the TV-level doings here. The motocross sequences are mud-spattered and not all that frequent, but they should be acceptable for X-treme fans. Since the storytelling is humdrum, the movie comes down to Corbin Bleu, and while the HSM faithful may be satisfied, others will have to admit that his single-note presence doesn't offer a whole lot in the way of excitement--not when it's featured at the center of a 90-minute movie, anyway. --Robert HortonFreestyle U.S.A. warrants, to the original purchaser, a limited lifetime warranty that its watches are free from defects in materials and workmanship. The following are not covered under warranty: battery, strap/bracelet/band and crystal. F! reestyle U.S.A. will not repair defects relating to servicing ! not perf ormed by Freestyle U.S.A.Get ready to take on the wildest waves with the Freestyle Hammerhead stainless steel men's watch (model 75401), which is water resistant to 200 meters (660 feet)--suitable for recreational scuba diving in addition to water sports like surfing. This large, powerfully styled timepiece is topped by a raised, rounded bezel with machine cut accents and a black plated inner dial with Arabic numeral markers and small minute indexes. It frames a black dial with large luminous dotted markers and oversized arrow hands (with red seconds hand), and silver Arabic numerals at the quarter hours. It's completed by a black polyurethane strap. Other features include a date window at 4 o'clock and scratch-resistant hardened mineral crystal.

About FreeStyle
With the extremist in mind, FreeStyle has created an extensive collection of innovative performance watches that will go with you to the edge and back--whether you're surfing, skiing, biking, or hiki! ng. Established in 1981, Freestyle Watches was the brainchild of a couple of Surfers whose mission was to create a watch line that could withstand the abusive conditions of their beach lifestyle. Their experience told them very few watches on the market could stand up to the daily abuse of salt water and sand. The result was The Shark Freestyle watch, a lightweight, low profile, and extremely durable timepiece that was immediately demanded by athletes all over the world.

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United Cutlery UC2772 Expendables Kunai Thrower Set with Sheath, 3-Piece

• 12-Inch overall length
• Perfectly balanced
• AUS-6 stainless steel blade
• Cord wrapped handle
• Nylon belt sheath with leg strap and belt loop

United Cutlery - The Expendables Kunai Throwing Knife Set. Model: UC2772. Features three perfectly balanced throwing knives constructed of a single piece of black anodized steel. 12 overall. 6 1/2" double-edged blade. Black cord wrapped handle with finger hole. Custom black nylon sheath with boot clip and leg strap for multiple carrying options. Officially licensed.

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Cheri

• Brand new DVD

Stephen Frears… makes thoroughly professional and immensely entertaining stories that pay particular attention to characters, their flaws, emotions and deepest desires. In Cheri, he has another dandy.  The chemistry between Pfeiffer and Friend is positively combustible. One feels the hunger in each, the rising physical passion and emotional vulnerability in two people who, if asked, would scorn love as a human weakness.

Darius Khondji’s mood-catching cinematography, Consolata Boyle’s eye-catching costumes and Alan MacDonald’s gorgeous sets are all entertainment in themselves. But the greatest contribution comes from composer Alexandre Desplat whose nostalgic, romantic, melancholy score evokes the period perfectly.
                                                                  !                                           - Kirk Honeycutt, The Hollywood Reporter

Filled with luxurious gowns and lush grounds, Stephen Frears's Colette adaptation depicts an affair too perfect to last. Parisian courtesan Lea de Lonval (Michelle Pfeiffer) retains her good looks and has invested her earnings wisely, so her colleague, Madame Peloux (Kathy Bates), persuades Lea to celebrate the inception of her retirement by teaching the Madame’s self-centered son, Chéri (Rupert Friend, recalling T.Rex's tousle-haired Marc Bolan), how to treat a lady. Lea, who has known Chéri his entire life, has genuine affection for the unformed lad, although, as she quips, "I can't criticize his character, mainly because he doesn't seem to have one." To her surprise, their weekend in Normandy turns into a six-year-relationship. Then, Madame Peloux announces that she has found an appropriate 18-year-old bride for her now-reformed 25-ye! ar-old boy. Afraid to admit the depth of their feelings for ea! ch other , the duo grudgingly goes along with the plan since Belle Époque society demands that a proper gentleman marry a proper lady, and Lea realizes that matrimony to a man half her age isn't an option. But real love--even the co-dependent kind--can't be banished quite so easily as a bad habit. Frears and Oscar-winning screenwriter Christopher Hampton, adapting Chéri and The Last of Chéri, previously collaborated with Pfeiffer on Dangerous Liaisons, but their reunion is a comparatively somber affair that comes recommended more for fans of the actress, who gives the role her all, than for fans of the filmmaker, whose direction feels perfunctory, particularly during the blink-and-you'll-miss-it epilogue. --Kathleen C. Fennessy

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